Wednesday, 4 March 2015

Now this is a magazine of the future.

Indie Writers rejoice. Here is one of the many new zines out to get those gadget driven readers and save the short story. It pays writers too!

‘Cracked Eye’
‘Cracked Eye’ and magazines like it are the future of magazines and the saviour of the short story. The editorial team understand that ‘busy lives force us to squeeze our relaxation and entertainment into small pockets of personal downtime’ People need a different way to read and ‘Cracked Eye’ offers it. ‘Every issue of ‘Cracked Eye’ has ‘stories, illustrations, cartoons, videos, audio-books, graphic novels and serials’ which sounds normal until you realise that all these things are ‘at your fingertips on all devices across all platforms, every month.’ Brilliant and beautifully put together. Have a look at the website and see what the team are doing. Readers can finish an entire story on a commute, view an episode of a graphic novel during coffee break, or listen to an audio-story at bedtime. This is the future.

The editors need short story submissions, 3,000 to 6,000 words for ‘Cracked Eye’. The team ‘welcome submissions from new and established authors, the only proviso is that we are seeking stories that are the best.’ Follow the editorial team’s suggestion and ‘download and read some of our current stories to get a feel for the type of material we like.’ The editors seek compellingly well written stories which entertain, excite and enthral Send a finished and well edited story as an attachment. In the body of the email include all contact details, a brief bio, any Twitter, Facebook or other platforms. Don’t forget a word count and put full name and contact email at the beginning or end of the story. No reprints or sim subs please. Use a standard publishing format, standard fonts such as Courier, Times, Georgia, Arial, or Helvetica and save the work as an MS Word or MS Compatible file.
Response time is 6 to 8 weeks. Payment ‘we pay fees to writers for stories we publish subject to contract.’


Details: ‘Cracked Eye’, website: http://crackedeye.com/writers;
email subs to: submissions@crackedeye.com;
guidelines at: https://crackedeye.com/writers





Monday, 2 March 2015

Start here, Indies, if you want to succeed in the Brave New Indie World.

When I started having to become a 'business person writer' and help to sell our Writer's Choice books I found the most useful collection of information, practical, doable, and easy to use at Book Marketing Tools, website: http://bookmarketingtools.com
Sign up for their free email newsletter and recieve helpful information like the following which is from their last email newsletter to me. They are a real boon to the Indies. Thank you, Shawn and R.J.

• eBook Submission Tool - If you have run a free promotion, you probably know how long it takes to submit your books to the free ebook sites on the web. Hours, right? Not anymore, our eBook Submission Tool allows you to submit to 30+ free ebook sites in just minutes by giving you just one form to fill out, and pre-filling the rest of the forms. Awesome, right?
• Reading Deals Book Promos - Last summer we launched ReadingDeals.com to help authors promote their free and bargain books. We have continued to grow and grow our list of readers who want to hear about your free and bargain book promotions! We have free (not guaranteed) and low-cost (guaranteed) promotion options available for authors like you.
• Ultimate Author Checklist - We sent this to you when you first joined our mailing list, but maybe you forgot about it. We walk you through step-by-step for setting up your book marketing engine, including the passive steps that you just need to set up once, and the on-going promotional things you should be doing.
• Reading Deals Book Reviews - One of the biggest struggles we know people have is getting reviews for their books. With our connections to readers through Reading Deals, we created a review club that you can take advantage of. Upload your book to our system, and readers can organically choose your book to read and then leave a review for. Readers get free books, you get real, genuine reviews from readers. The best part is, it doesn't cost an arm and a leg like other review services that are outside of the budget of most indie authors!
• The Author Hangout Podcast - Our podcast contains over 13 hours of interviews filled with book marketing tips, ideas, tools, best practices, and more. If you haven't listened to The Author Hangout yet, you should definitely get started today. We have interviews with over 25 guests!
• Getting Reviews for Your Book Guide - We recently created a new guide that walks you through the steps to help you get more reviews. We explore a lot of free and low-cost options that you can use to get more reviews for your books, which helps give social proof which will convert more people browsing your book page into buyers.
• Book Marketing Tools Blog - Our blog has over 75 posts, interviews, guest posts, and guides filled with great book marketing, writing, and publishing tips and ideas to help you.

Our goal is to equip authors like you with the tools, education, and community to help you to sell more books. The above list is our group of tools and resources to help you! Be sure to use these to your advantage to sell more books, build your list of readers, and become a bestselling author!

-Shawn & R.J. from Book Marketing Tools
http://bookmarketingtools.com

Friday, 30 January 2015

Hah! Read this Indies and cheer.

Author Earnings.com is doing a great job in dispelling the myths put out by the traditionalists about e-book earnings. If you haven't met them before go and read all their reports. They will cheer up any Indie author. The road to making us respectable as 'Real Writers' with good books is made shorter with people like these to present facts and back them up.

Here is a short extract. Please go to their website and read the rest.



The January 2015 Report
This time around, we measured the size of the invisible "shadow industry" of ebooks without ISBNs... and discovered why all the official (ISBN-based) ebook market-size reports from Bowker, AAP, BISG, and Nielsen are so wildly wrong.
Back in February, our first report analyzed the top 7,000 e-books in three bestselling genres [link]. Then we followed up with a look at all 54,000 ranked bestselling e-books on Amazon in a single day snapshot [link]. We then turned our attention to Barnes & Noble [link]. In May, we returned to Amazon to run another quarterly report on 85,000 of the bestselling books across all genres to see what it could tell us [link], and took a deeper dive into how newer authors were faring compared to their longer-tenured peers [link]. In July, we took our deepest dive yet, and looked at the effect of DRM and of genre across 120,000 titles [link].
In October, we went back to the data well again and this time, examined the effect Kindle Unlimited [link].

Now, at the start of 2015, we return once again to the Amazon bestseller lists with another all-genres grab of 120,000 titles, and take a look at longer term trends.

And we took a look at which of those 120,000 titles had registered ISBNs and which didn't, answering two long-standing questions about the ebook market:

How to time your book promos to create the perfect campaign

How to time your book promos to create the perfect campaign
Readers in the Know - www.readersintheknow.com - is proving a very helpful site for Indies.

Not long ago Simon ran articles on a sales campaign and then analysed it to show what succeeded. Very helpful.

Now here's another useful article for Indies. Last week Simon presented a list of good book promo sites as determined by the campaign.

Go and read them if you want to be part of the successful Brave New World of Indies! Any knowledge about what succeeds in a sales campaign is vital to the new Indie writer.

Tuesday, 13 January 2015

A Good Start for the Indie publisher/author in the New Year

Oh cheers.

Here is encouragement for Indie novelists. The new world many be tough but look at these figures garnered from British sources.


'Self-publishing and Ebooks on the rise
What the 2013 figures do show is that self-publishing in both ebook and paper book formats is really taking off. Paperback sales through Lulu rose 38% and CreateSpace sales were up a massive 161%. This is bound to send shivers of fear through the boardrooms of the publishing industry. Half of all book sales (both traditional and self-published) in the UK are now through Amazon.'


I call that definite encouragement for us Indies.

'Rumours that ebook sales are flat-lining are untrue. Obviously they aren’t soaring at the goldrush rates that happened in the beginning, but they’re now climbing at more realistic levels. According to Nielsen, ebook sales across the industry were up 20% overall in 2013 and readers spent more than £300m buying at least 80m ebooks. This accounted for more than a quarter of all book purchases. One in five of these sales (12% of all sales) was an ‘Indie’ book. Early figures from the first three months of 2014 show that the moment when ebook sales will overtake paper book sales is very close and the percentage of ‘Indie’ books is also rising fast, particularly in the USA. In the UK Tesco have just launched their own ebook platform Blinkbox Books with a reading tablet called the Hudl (who thought that one up?). It’s too early to tell where this will go, or whether this is a significant opportunity for Indies, though they’ve apparently sold 500,000 Hudls so far.'


Come on Indies. leap into the new market and put your books out with Blinkbox.

'Ebook Fiction up from £4m to £200m
The Bookseller also released some interesting publisher statistics that give a bit more information about what is really happening within the genre divisions. In 2013 paper book sales of fiction were down from £561m to £400m, but ebook sales of fiction are up from only £4m to a whopping £200m in the same period. Non-fiction suffered less, with only a minor shift from paper to ebook, but children’s paper book sales dropped £35m without any compensation in digital sales – bad news for children’s authors. But many children are reading on i-pads – particularly i-pad minis. My 4 year old grand-daughter reads a lot on her i-pad mini and loves interactive books. Her mother (a publishing professional with one of the Big 5) reads on the i-pad when it’s not otherwise engaged. Authors need to think about Apple much more seriously as a market for books. It may well become bigger than Kindle.'


This is great news. A good start to the New Year and great that Apple will be giving Amazon a run for its money. We need them to be in competition.

'What does it all mean?
The future for ebooks is bright. This doesn’t mean that they’ll replace paperbooks entirely, but there will be more of an even balance between E and paper sales. It also means that there will be more opportunities for Indies, but we’re going to have to be more pro-active in marketing ourselves against increasing opposition from the traditional publishing sector. The problem of visibility also increases as there are more and more authors clamouring to sell themselves in the self-published arena. We’re probably going to be forced to buy in marketing as well as editorial services if we want to be seen, but there are lots of refugees from the Big 5 offering their experience freelance.'


Note the Marketing call Indies. We have to do a good job for ourselves. Get that support group going and growing.

'The rosy dawn of self-publishing is over – it’s now a serious business and we are in competition with traditional industry professionals who won’t necessarily play fair. They see themselves as the legitimate land-owners and ourselves as the barbarian hordes. Naturally, they want to protect their commercial interests from the self-published invaders. We will have to think about how we organise ourselves to cope with a probable book war in the near future. The Hachette/Amazon conflict, recently settled, is only the beginning. But history is on our side – the mighty Roman Empire fell to the Barbarians eventually!'


It seems to me, oh new world novelists, that we have a golden opportunity here to stop worrying about advances, royalties and the nasty tricks of traditional publishers. Let's start the New Year with confidence, there is evidence that we are going to survive as novelists. Indies of course!

Thursday, 11 December 2014

And here's a novelist making his mark in the Brave New World


It seems to me that we Indies should help each other. Here's a lovely Goodreads review which Donald Platt received for his fascinating new novel.

I am glad to puff it off for him here and hope other readers who like serious historical novels which are well told and tell a good story might read it.

REVIEW of Bodo the Apostate by Donald M. Platt

Donald is a fabulous technical and historical writer overall, but Bodo the Apostate (his newest novel) is nothing short of his best work all the way around. Not only is his writing immaculate and his history engaging, but in this book his dialogue and character's thoughts, personalities, and actions are so real and dimensional that I found myself enamored and smiling from the start.

The Bodo that Donald presents in this book (as of course, little was known of him and one-sided) is highly intelligent and advanced ("gifted") from a very young age. He's curious, inquisitive, thoughtful, analytic (I have some kids like that so I truly understand it), but in the Carolingian period, which is pre-Medieval age circa 8-9th century, religion was serious (yes, even more serious than by today's standards). Bodo is taken to be enrolled at the Academy located at the winter palace of Emperor Louis the Pious (the son of Charlamagne) for his smarts, and as well, his great-aunt just happens to be the mother of Emperor Louis.

So, when on the cover it states, " In a time of intolerance following your conscience is a dangerous choice...." I can totally understand this comment in relation to this book. When one is forced to become a priest and religion gets political and divisions are formed, loyalties demanded and abused, an educated person with a high intellect (these types of people generally think for themselves and don't follow the crowd, but make logical and educated decisions) is likely to not follow the demanded path. Bodo made a decision to change religions and flee to exile (this is historical record so I don't feel it is a spoiler), but the book mostly takes place prior to that. It was so very interesting reading of the path that led to his decision and his thoughts behind it. Donald takes what little historical detail was accounted for and intertwines the best scenarios he could deduce in order to bring us Bodo's story, while simultaneously showing us what led to the demise of the Carolingian Empire. In fact, most of the book really dealt with the political and religious issues of the times, using Bodo as the propelling plot to showcase it. However, he does give us probably one of the only, or at least, best accounts of what his life might have been like afterwards when he lived in Andalusia (al-andalus), Hispania.

I love Carolingian historical fiction. There is something about it that lies between truth and fantasy, so even the facts seem surreal. I've grown up loving this era and Donald's book is another wonderful novel on a list of highly regarded and entertaining books of this time period. Though the book is totally a historical fiction meant to be as authentic and plausible as possible, utilizing best guess based on research, in some way it just so reminded me at the start of something like Lord of the Rings. That's probably crazy, but the book reads as if someone is telling us a legend (like the Legends of King Arthur, but rather, the legend of Bodo the Apostate, not Bodo Proudfoot, Hobbit!!). I totally admire this story and was enthralled by each chapter. I definitely never wanted to have to stop reading it, but would rather have had a day to do nothing but be entrenched in this book.

Donald's writing is detailed, visual, entertaining, informative, interesting, and he creates characters that readers can relate or connect to, creating understanding among all various types of people and their relations with others. He writes with a courageous pen in order to honor little-known men in history that made giant decisions. I believe Donald likes to research, critically think, and put together and forth other accounts of those lost to history that could become their lasting legacy as much as he likes to write entertaining material.

Helping historians, as well as readers, to understand other sides of history and make sense of religious intolerance, strife, and its lasting ramifications does a great service way past adorning bookshelves. Donald writes historical fiction of true meaning in a fashion that is so very captivating.

Highly recommended for the true pre-Medieval or Carolingian reader who are made happy by this time period fantasy feel, as well as those who are interested in historical reference about the angst between Christianity, Islam, and Judaism.

I was given this book in exchange for a honest review. Opinions are my own.

Wednesday, 10 December 2014

BRAVE NEW NOVELIST'S WORLD.

If you are an Indie writer struggling to make sense of the Brave New World of the novelist then you soon find that some people help and others don't!

As I wade through the swamps of 'Buy this package we guarantee will sell your novel.' and into the thorny thickets of self-help I have found that there is a lot of sensible common-sense provide by www.indiesunlimited. Definitely a place Indies should spend time at reading all those helpful articles.

Another useful site, although they do sell you things if they can, is Book Marketing Tools - find them at www.bookmarketingtools.com. They have a newsletter which drops valuable advice into your inbox. I have much to learn and am discovering how much more I have to learn every time there is a new email from them.

Here's a sample of their advice on building e-mail lists.

1
Use a Paid Method – Using Facebook, Google, Linkedin, Twitter, etc to push targeted traffic to your offer. I have used FB Influence to help me learn all about Facebook marketing.
2
Organic – This is all about writing content on your website or blog that is based on the wants of searchers online. Does someone in your target reader group search for “Free Mystery eBooks”, then why not write a post about your free mystery eBook giveaway when you run your next promotion? Use the Google AdWords Keyword Planner Tool to get more ideas.
3
Social – Not only have we been active on Google Plus, but we have had amazing results on Twitter as well, so make sure, when you are trying to drive traffic, you pick the one or two places that will help you the most. Not sure which to pick? Pick one and try it, then analyze a month or two later to see if you should continue or not.
4
New Media Collaboration – You might have noticed I said, New Media Collaboration. What I mean by this is, why not partner up with one or two other writers in the same genre and start your own YouTube, Itunes or Google HOA show? Instead of having to learn all this technology solo, work together and not only will you learn it, it will be with others that you can brainstorm on making something worth engaging on. Don’t be afraid to collaborate in 2015!

The offer you create is the gateway for someone moving into your sales funnel. Without something to offer them, you are banking on the idea that just because you built a platform and have a subscribe button, people will want to give you their email address. That’s a wrong and faulty assumption. It doesn’t work that way.

A good offer will have the following principle and components present:
1
The offer is exclusive – I didn't say the offer was unique, because let’s face it, everything has been created before… but the offer must be exclusively given to people via your mailing list. Therefore, the books you sell on amazon should not be the offer. The free list you have on a blog post is not the offer. Anything that is available publicly is not the offer. You make it exclusive, by making it exclusive.
2
The offer is interesting – You need to make the offer something that isn't just interesting to you, but interesting to the consumer, the readers you are trying to connect with. You should have a clear idea of the biggest pain that your readers have and the real need that they want. Fiction readers might not have a pain you can observe, so you have to ask. Why do people read my fiction book? Escape… freedom… getting lost. Create an offer that helps them to escape!
3
As a fiction author, maybe you can share a secret chapter in your book that you write just for your mailing list. Maybe you provide the private details about the creation of your story that your readers are dying to know. You can also create a short novella as a prequel or with the back story for your main books. It must be what they want, not what you think they want.
4
For non-fiction authors, giving someone a checklist, a resource guide or collating information for your readers is always valuable. If you don’t know what the offer should be, then ask your readers and if you don’t have readers, go back to last week’s social media post and find some.
5
The offer is simple – Rather than making a 50-page guide on something that your readers will never get through, why not give them something that is easy to digest that still hold value in their minds, that they can read in 1 hour. Give them a clear story about your story, so they connect with you.
6
The offer must be real – When marketing your offer, you want to be sure that you are not making promises about the offer that are hyped up just as a marketing gimmick. The Ultimate Author Checklist that we create is pretty, well, ultimate and it gives you what you need to know to market your book. If we billed it any other way and it didn't deliver, people would not stick around.

Interesting stuff. Is this really what a novelist must do to sell books? Don't writers write?
AND
How on earth do you find the time to do all this?

I do not know, nor do I have the answers. But for some people this has worked. I am trying to find out what will work for me and my Writer's Choice colleagues. It seems to me this might well be part of the new world for novelists.